…is the latest pop-culture buzzword, taken from a scene in the latest Indiana Jones movie. It’s roughly equivalent, in movie sequel terms, to what “jump the shark” means for TV shows. But the process by which a catch-phrase propagates has become wearying and predictable:

The original posting seems to have been deleted but the phrase caught on, infected other message boards and web sites, and is now a full-blown meme on the verge of nuking the fridge itself. Google currently returns close to 16,000 results for variations on the phrase. Some participants in the IMDB forums have already grown tired of the phrase’s repeated use. A Wikipedia page was created and has already been deleted (reason: “Protologism with no RELIABLE sources evidencing more than extremely limited usage”). A web site dedicated to the meme is available at nukingthefridge.com, not to be confused with the movie review blog at nukedthefridge.com. And of course, no meme these days is complete without the proper new media accoutrements: Facebook page, MySpace page, t-shirt, YouTube page, an auction to sell the domain name, and a post on a large-ish general interest blog way after the whole thing’s already played out. I only heard it for the first time an hour ago and I’m already sick of it.

The convergence of hipness or knowingness with social networking technology is evidently both fueling trends – the latest catch-phrase or high concept – while at the same time making them ever more trivial and short-lived. As Kottke notes, “viral” is now “virulent.” The Darwinian dynamic, via which pop culture memes endured a short, grueling ride through the lower echelons of Facebook and Wikipedia before either burning out or making it to the “show” of television and mass culture, may be burning itself up – in the process, eroding any shared notion of what’s “hot” or “not” at any particular moment. And, I might add, also eroding a source of annoyance for the vast majority of us. The more catch-phrases smothered in the cradle, the better.

I also liked the fridge-nuking scene in the movie. It was ridiculous, of course. But funny and unexpected.

The summer blockbuster scorecard so far, in order of release:

Iron Man. Terrific. Action scenes take a backseat to Robert Downey Jr. tinkering with his suit, wittily growing a conscience.

Speed Racer. Not as terrible as reviewed, but not much better. Too long. Fun for the kids; and for fans of the original cartoon, it’s fun to see the car in CGI and observe some actors talking a little too fast, evoking English anime dubbing.

The Chronicles of Narnia: Prince Caspian. Lumbering battle-and-intrigue-heavy take on a story that, while slender, engagingly balanced serious themes, adventure with fun. The script’s diversions from the original add unnecessary computer-generated fighting, glowering villains and unconvincing character conflicts for the heroes. A disappointment.

Indiana Jones and the Kingdom of the Crystal Skull. Great beginning – Indy survives a nuclear blast in a refrigerator! Good middle – Indy advises archaeology student during a motorcycle chase; Marian returns! But: Dramatically slack, fake-looking CGI climax cribbed from Close Encounters and the X-Files movie. WTF, Spielberg?

Kung Fu Panda. We’ve seen the plot before (Star Wars, Teenage Mutant Ninja Turtles), but the execution is brilliant. Even the grains of ancient wisdom are … true.

Well, that’s a relief:

Relax: The New Indiana Jones Movie Won’t Have That Many Aliens

I don’t understand the complaints about this. What is the problem with adding aliens to a movie series that has already given us face-melting via the wrath of God, magical incision-free open-heart surgery, and a cup that heals gunshot wounds? Aliens are a different genre, yes (and in some ways more plausible than the biblical or supernatural plot elements) but it’s a difference of degree, not kind.

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