A few more thoughts on the ecocatastrophe in the newspaper business:

If our goal is to reinvent the newspaper, it’s not easy to have successful innovation in an atmosphere that is so fluid and uncertain. There is no way to solve this business model conundrum in the short run. We can only make the best of it. That’s why I found the reactions to the intern’s post dispiriting. Ideally, we still want good journalism in a new package. But: if you degrade your real-world savvy through cuts while betting everything on your Internet savvy, what happens? You get a better package. You get more Internet functionality. But the content suffers. This is bound to be chaotic, and sometimes just plain weird – you have editors who started on typewriters “blowing up” their infrastructure of beats and replacing it with an organization and a set of tools they have no idea how to use. And young staffers who do - but don’t know the community, or how institutions work, or how to leverage their new tools to get information and tell a story.

The problem papers face today is not that they won’t innovate – they will because there’s no alternative – but that as they innovate the repeated retrenchments and gaps in expertise make them collectively dumber. This is a particular problem with medium- and small-sized papers, many of which weren’t too smart to begin with and whose cachet as a mass culture product – the go-to source for community, arts, business, and sports info – is already in eclipse.

How to fix this? It’s a money problem, but also a culture problem. There’s a big divide between those with real-world savvy and those with Internet savvy. Relatively few journalists straddle it. Their numbers are certainly growing – every day, every hour – but these are still two camps, culturally at odds. If they don’t come together (or the handful of 35-year-olds comfortable in both worlds throw up their hands), papers risk a continued slide to irrelevancy.

The trick is how to meld experience and insight with new forms – maintaining some continuity in the craft of journalism, even as the look and sound of that journalism changes profoundly. This is the key, believe it or not, to making a sharp, lively, readable, linkable product. (Look at, for example, TPM, which wouldn’t be what it is without a) sharp reporting and b) Josh Marshall’s equally sharp writing/commentary.)